From
my window
I
see tomcat Ape sneaking over
the
gutter of the neighbour's shed.
Grey
skin against grey
roof
tiles, a drizzly sky
above
it and in the background
the
RC graveyard with a lilac
prelate.
Today an important person will be
committed
to the earth there.
Starchy
or dejected (who can say?)
the
bereaved trudge, friends,
housekeepers,
etc. behind the coffin.
It
is 12th March, cutting bleakly in shrubs
and
wreath ribbons: tears might also
be
brought about by the lashing wind.
Always
looking at tombstones
leads
to too much organ music at home.
Why
not play a LP with the
sonatina
of Ravel for once?
Consolation
is not for sale. Years
pass
by and I'm off now to buy
luncheon
meat; life goes on
they
say. Even so, while shopping, I worry
about
the right music at my cremation:
Satie
too modish, Bach too outmoded.
I'd
choose Greta Keller with Dis-mois je t'aime
a
scratchy little record from the meagre
thirties,
but the favourite
song
of Dior. It would match my
French
ties, boots and glasses.
I
never really felt I belonged in
Holland,
rather to German drag
or
Indonesian boy. Honestly, I
am
at an utter loss in this country.
Original title: 'Iets over muziek in maart' -from the collection 'Poëzie is en daad van bevestiging' - Noord- en Zuidnederlandse poëzie van 1945 tot heden - gebundeld en ingeleid door C. Buddingh' en Eddy van Vliet - 1984 - Uitgeverij Manteau Amsterdam
Original title: 'Iets over muziek in maart' -from the collection 'Poëzie is en daad van bevestiging' - Noord- en Zuidnederlandse poëzie van 1945 tot heden - gebundeld en ingeleid door C. Buddingh' en Eddy van Vliet - 1984 - Uitgeverij Manteau Amsterdam
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